FLASH - LIGHT and MODES


BASIC LIGHTING THEORY TO MAKE YOU A PRO


FIRST, TERMS and DEFINITIONS


Light from any source, even a Zippo Cigarette lighter unit has measurable light values. In the following lessons we will try to explain things and we will work with to help you think and start to work with light better. We will be using simple techniques to make the learning process easier.


ARTIFICIAL LIGHT (MAN MADE LIGHT)

If it plugs in the wall uses batteries or a portable pack, it is artificial light.

It may be: Halogen, Tungsten, Fluorescent, LED's or Strobes.



SUNLIGHT - THE HIGHER POWER LIGHT COMPANY
Nature has her own variety of light, 
Bright Sunlight, 
Shady Days, Environmentally challenged days.  like Fog, smog, volcanos.

LIGHT QUALITIES


Photography is the complete understanding of this light and how we manipulate it. Light falling on a subject has three dimensions. 

The direction to the subject, t

he quality of the light, hard or soft, 

The amount of light at the source 


PORTRAITURE LIGHTING 
The position of lights to the subject is crucial to good modeling, flattering the subject and invoking or creating drama into a picture.  Good light sets moods, hides flaws and increases viewer time on the subject.  The three main lights in Portraiture are the:
1)  The KEY LIGHT or mains, emulates SUNLIGHT on the subject.
2)  FILL LIGHT balances the KEY LIGHT and eliminates shadows and some contrast. 
3)  BACK, HAIR, RIM lights accentuate the background for separation, and definition.  

POINTS OF LIGHT - BUYING MISTAKES
Buying portable lighting can be a little intimidating. Because people shop by name, brand, model and looks.  Yes looks, I have seen it and heard it all across the counter. All of the above is wrong.
The correct answer is to buy for what your needs are.

BUY WHAT YOU SHOOT FOR:
Because what you need to 
buy is what you need for your particular type of shooting first, then comes the other considerations like who, what, why, and how much.  Much of it of course depends on your budget and the model camera you bought and the purpose for what it is intended.
 
 


T
he manufacturers next step to rid you of some money involves flash units in the 200 dollar range and the pro models are in the 400 dollar range.
The add-on flash is the second item someone usually buys after a camera purchase. It can be an expensive and complex smaller flash unit that slides into a hot shoe on top of the camera that affords more light.  With an extension cable it may be located off the camera on a bracket. 


The higher priced units that totally integrate with the camera are more powerful and can reach out to 60-70 feet with moderate ISO ratings.  And some models may not work with some models of the camera you have. The photo industry is similar to the car industry. Ford parts fit Fords, and the sixty three Falcon generator will not fit the 2011 Mustang. 


SO THAT YOU FEEL CONFIDENT

Here is one page from the Nikon SB-900 manual explaining their modes. These modes are close to the 800's procedures, only slight differences and this is why they come with a 100 page book.

i-TTL Mode

The camera controls the SB SB-900’s flash output level by measuring the light

reflected from the subject when the SB-900 fires a series of monitor pre-flashes.


Auto-Aperture flash mode 

The SB-900 controls the flash output level by measuring the flash illumination reflected

back from the subject using the sensor for Non-TTL auto flash and combining this with

information from the camera, such as the ISO sensitivity and the aperture setting.


Non-TTL Auto flash mode 

The SB-900 controls the flash output level by measuring the flash illumination

reflected back from the subject using the sensor for Non-TTL auto flash.


Distance Priority manual flash mode 

If you preset the aperture and the distance to the subject, the SB SB-900 will

automatically take control of correct light output.


Manual flash mode 

By setting the aperture and the flash output level, you can manually set the

exposure and the distance to the subject.


Repeating flash mode 

The SB-900 fires repeatedly to create stroboscopic multiple-exposure effects. This

operation is useful when shooting fast-moving subjects.


Switching illumination pattern 

You can select one of three types of illumination pattern (standard, center-weighted

and even) in accordance with your objective.


Bounce flash 

By tilting or rotating the flash head, you can bounce the light off a ceiling or wall to

make use of reflected light.


Close-up flash photography 

Close up flash photography can be achieved with use of the built-in wide-flash

adapter and the flash head tilted down.


Using color filters 

You can compensate for the color of a light source or create interesting effects by

changing the light from the filters to a different color.


Flash output level compensation/Exposure compensation 

Flash output level compensation is performed by modifying the flash output level for

the flash illuminated subject only. Exposure compensation is performed by intentionally

modifying the correct exposure to modify both the subject and background exposure.


Only 99 pages to go and you thought the menu at your local Chinese restaurant was confusing. Thas why buffets are so popular, no menus, you go on (A) automatic.


 © copyright aljacobs Stardate 2011.05