GEAR - CLEARLY the BEST OF THE BEST 2009

32 Alpha Park -
Cleveland, Ohio 44143
Phone: 440.646.9851
EDITORS NOTE: I used to post everything relating to brackets
from all the firms but after twenty years of trade shows and basically
looking at everything imaginable, one company stood out and outfoxes,
out engineers, out builds, probably outsells, out markets, all the
others who are probably in the out-house.
With that said, some of those companies still selling the same thing
they created twenty years ago need not apply for recognition. When I
see something that hasn't evolved in twenty years (and still in the same
packaging for some of them) the words "lack of innovation", a "failure
to recognize market" and a "who cares attitude", it tells me why waste
bandwidth.
So we go with the winners, and the public response to the product line
has been a phenomena in the camera business. Five years in a row this
company has smoked the competition. In fact, if flattery is the
greatest form of acknowledgement this is the guy the others copy,
period, I know, I saw the knock-offs at the show.
I am Al JACOBSON - And I approved this endorsement!
FLASH BRACKETS
Buying a flash bracket is like buying a car. It's about use,
style, quality,
and if there's a concern about the mileage you get from it or it's about
to tow that 6,000 pound boat you just bought.

Don't buy a compact car if you really needed a pickup,
or a Hyundai four banger mini-coupe if you have six kids. Never
buy a bright red convertible for a teenage daughter with a cell
phone. She'll break you with insurance and tickets.
Simply put the bracket is part of a system to improve the light
you put onto a subject when mother nature doesn't provide.
Elimination of red-eye and shadows are the two side benefits a
good and proper bracket provides. The other parts needed with
the purchase are an extended flash cable, like for Nikons, the
SC-17, SC-28, SC-29. Canon has comparable cables and extensions
and there are after market brands like PRO and others.
Also, you might (will) need another component
called anti-twist plates for both the flash and the camera so
these parts don't twist on the frame. You are building an
integrated system that makes your job easier.
Like buying a car you look at the various models
and options that customize the automobile for your likes.
Same thing in a bracket for your particular camera and flash.
And you convince yourself you now have a "rig", not just a
bracket, and all your pictures will come out perfect. Keep
dreaming, there's a bit more to it.
There's more to this artificial light business. Digital has less
tolerance of bad exposure. I think it picks up all the bad
things that can happen and can multiply it. Just the nature of
the beast and the beast roars at mixed lighting. It gets
everything, even things you don't want.
That's how I got interested in brackets. Trying
to improve my work process, the way I shoot, simply put forced
me to modify my own gear. The unit above started out as
something else. A Stroboframe or something like that. The
rotator joint got loose at a function, had no tools so I
lobotomized it at my shop. I pulled out the hacksaw and it
got snipped, found some locking washers, nuts and bolts, and
some epoxy. We also shortened the SC-17 cable to prevent it from
getting coiled up with nowhere to go. I had to rebuild the whole
thing to make it work right. That was twelve years ago. If I
bought another one I would do the same.
WEDDING, SPECIAL EVENTS BRACKETS
These are FLIP BRACKETS and
the basic difference between Wedding, Event Brackets and
Paparazzi style brackets is in the flipping. The rotation
of the flash from portrait to landscape mode. Here's the
scoop: Wedding and Event brackets raise the light above
the lens axis and allow the flash to be tilted for either
portrait or landscape mode.
The problem is if a bracket just offered elevation, the
flash would be way off center in the portrait mode and you
would get harsh side lighting. So we flip the flash. Same
reason we flip hash brown's. Raw one side , overcooked the other. One
day they'll be a Bobby Flay smack down on hash browns and bring him
on....
In the better level of bracket or the next higher level we flip
the camera. You add a few dollars to the base models and we see
the mechanisms that flip the camera rather than the flash.
They are more complex but get better results if they are
engineered correctly. Most are not. We found the most
universal, best constructed unit built in the world. Strong
claim...yes but I stand by it. (Read On)
PAPARAZZI RIGS
We Nikon and
Canon users have seen the expensive add-on Paparazzi style Brackets
offered by these companies especially Nikon where they got the 'Chutzpah
to charge in Nikons case 270-350 dollars for these fine add-ons. OK the
Nikon one has a spare battery holder, more AA cells. In fact Canon
didn't offer their version in the states, it was available in Europe and
Asia markets and really offers no advantage. Hmmm, I can offer a Black
Box with 1000 shots and one of CB Paparazzi rigs for almost less.
Working in conjunction with Mike Mikulla from Custom
Brackets, he and I looked at the situation and we independently came up
with a few ideas and low and behold at the PMA show... I threw mine on
the table and he threw his on the table and I threw mine out the window.
All kidding almost identical except for a few small points. like a
locking anti-swivel for the flash base and better anti-slid for the
camera base. But the thinking was there and he and I had basically and
independently come up with the same thing. Voila!
He now has the CB mini and
the CB- MINI-RC. They are
a beautifully crafted
pair of Paparazzi brackets, just look on his website located at
www.custombrackets.com
and available from B&H and other retail on-line stores.
These custom brackets retail at 45-55.00 and basically are ready to
go out of the package. There are differences in the product.
Look carefully they depend on grip and preferences.
One
the CB Mini-RC is for right-side users, with an offset and the
other is a straight line rig you see on you left. They use the
straight rig and not one of the U-Turns with flipping because
they are always shooting in the vertical mode, and
sometimes chasing their prey.

It's obvious. Paparazzi are like sharks and attack their
subjects sometimes at a really fast moving clip and it only
takes one shot at hooking the flash on the guy running alongside
you or worse you hook the flash on top of the camera on
something and you either lose the flash or lose the prism.
Simply put,
No shooter is going into a "press chase" with a two foot tall
bracket.
LEARNING PAPPARRAZZIMANIA 101: (Really Happened
in Florida)
A press chase is when someone is:
A) Fleeing court as in the case of one of our school principals
buying cocaine in his office;
B) The coach running from the locker room after a nasty defeat;
"Way too Often".
C) One of our politicians running from the cameras after
getting caught driving naked in a school zone;
D) The local pastor leaving the downtown red light district...
"Way too Often".
Now to be fair this bracket idea is not for everyone but there
is a way you can try this on your own and see if it is for you
so the frugal Gadgetmeister in development with NASA
(The National Agency for Shekel
Administration) came up with the Paparazzi training wheels
version.
First you will need a METZ bracket from the
Metz 45.. they are all over the web on eBay, some broken Metz
45's, parts for sale, pawn shops for the originals which I
prefer and also the aftermarket ones from Sonia by OFC Camera
which are plastic and can be reshaped easily. ($7.50 plus
shipping) and I will modify it for you.
THE WIMBERLY UPGRADE!
NATURE TREKKING - CB
GIMBAL ( NEW)

These are elaborate and expensive brackets made for large
lenses, macro flash and better beamers and such where stability
of the longer heavier lenses is paramount.
The main concern when looking for a bracket in this category is
strength, durability and strong locking components. In addition
since these highly specialized brackets are used on tripods, the
selection of a more than adequate tripod is essential.
Many of these design are the gimbaled style placing the weight
below the object holder. The newest and probably most
innovative on the block is manufactured by Custom Brackets and
debuted at PMA 2008 in Vegas. It's a winner. This
class of brackets usually mates to a huge lens and finding the
right center of balance is critical since most $4000-$10000
lenses don't take to falling well.
Note:
The CB Gimbal is made to handle the
longest of lenses. With it's roller bearing design, movements
are smooth and easy. Separate drag adjustment and lock for both
horizontal and vertical movement is controlled using soft rubber
coated knobs.
A setup lever provides a fast and easy way to
balance your long lenses while a bubble level on the base helps
you to level your tripod when needed. The CB Gimbal is also
modular allowing you to disassemble it for easy storage and
travel.
The Gimbal can be used on a tripod or an ARCA
Swiss type ball head.
Capable of handling the longest lens, yet it
is modular to disassemble for easy packing and travel.
With it's mini-components for complete versatility, it easily
and safely adapts to any any lens application. With the patented
roller bearings used in the top end CB products, it carries
forth the quality found in this distinct line of camera
accessories.
The LOST..oooops
Last Category - Useless
The fourth category is
the useless category. It is a group of lightweight
aluminum and plastic 8.00 to 50.00 dollar junk and knockoffs
they sell at discount stores and they mainly come from the nice
folks at Aftermarket-Dot-COM, a division of Cheap Overseas Labor
Division. (COLD) Inc.
Here's Some Pointer's
-
Brackets don't eliminate
all shadows. Most brackets put the light dimension where it belongs over
the subject head plane. To further eliminate the remaining shadows
here's a simple tip. Move the nice folks away from the wall and diffuse
the light. The bracket will change things for the better but common
sense will help you in further eliminating hours in Photoshop getting
rid of shadows.
-
Next step is look at the flash. Follow this. Most manufacturer OEM
flashes are rectangles. So you have to flip the flash to align with the
format. When the flash is in landscape or horizontal mode the flash is
usually above the bracket matching the landscape mode. That's good. In
portrait mode the flash has to turn ninety degrees. But 90 degrees
extends the arm almost vertical and you are turning the camera ninety
degrees and canceling the whole turn out. Best bet, get the one that
flips the camera.
-
Flipping Joints. This does not refer to throwing funny cigarettes
outside the drivers side window with a cop car following you. This is
the axis that the flash rotates on. The most common joints are friction
joints with Teflon (sometimes) washers and they loosen. Our winner this
year addresses this problem different from any other company. Custom
Brackets use a spring loaded pressure joint that is self tending and
eliminates wear as a concern. Ever wonder why the Mercedes Benz
Sedans cost more than the Chrysler 300's even though for a while
Daimler Benz had a piece of the rock. The Mercedes front end is
machined and the Chrysler casted of a softer grade of metal.
You do get what you pay for even though it might not be visible.
-
Fast Releases: I also caution you about fast releases, a couple I looked
at are so fast you'll be picking up pieces before you knew anything
happened. Why they put buttons in certain places I'll never know. A
photographers best friend might be a set of Hex or Allen wrenches and
some Locktite. Or just upgrade to someone's releases that make sense.
Again the design of the Custom Brackets releases are outstanding.
HOW I PICKED THE WINNER
There are many
manufacturers of brackets out there. I have tried, looked, sampled,
bought, owned, chopped and destroyed a few, OK, more than a few in my
time. Each year I peruse the trade shows looking for
accessories with quality construction, exceptional features,
convenience, benefits, and innovation. And I am a bracket and
tripod nut.
Many buy their first bracket and think that an angled piece of metal
with a camera on one end and a flash on the other is all they need and
the better ones are overkill. How wrong you can be. In the
heat of shooting today's weddings and events every part of your gear
(kit for you Brits) it should be top notch.
Some cost more and some are really less expensive than our winner. Some
with quality standards far below and some just slightly better than two
Stanley 8 inch angle brackets from Home Depot. With one company
their catalog is an archeological study. Some of their products for sale
haven't improved in a millennium, same old stuff.
CUSTOM BRACKETS year after year always seems to amaze me. One innovation
after another. And if you think I'm playing favorites you are
right, this is the real thing, nothing comes close. Simply put,
this is a company that effects change through innovation, they have the
engineering, state of the art machining, and the integrity to stand
behind what they manufacture. I like Mike, he thinks like I do
about customer service, putting the best in the product and integrity,
something really lacking today. Oh made in the USA by real technicians.
I have as I said looked at all the cockamamie ideas floating the
web, most copies and cheap knockoffs. This is the finest bracket
engineered and manufactured in the USA and quality wise, ahead of
everybody else period.
THE
BEST: The DIGITAL PRO-M
This year he got me.
Custom Brackets has the ultimate bracket in my eyes. I had to have one
(that makes three) and, there was no race this year in engineering and
design, once again this gear is the tops in it's field being the only
manufacturer with innovation. Everything else is something I've seen
before, a knockoff or copy.
This is Mercedes Benz quality in a unit slightly more than the medium
priced units but one that you will not outgrow nor will you get tired
of. I would have called it the Rolls-Royce but the mechanical
excellence far exceeds the Rolls which is image excellence and with a
Rolls you'll get to know your mechanic like he was part of the family.
He better be, that's where your inheritance is going. The Mercedes does
perform well and is consistent in it's operation, quality and
philosophy. Why do I get so excited about this line of goods?
Because if you looked at all the crap I see at the show, when something
stands out, it stands out!
I showed it to five professional photographers plus friends and users in
other fields, people that make a full time living at their
game...comments ranged from the photographers "can I borrow it",
"to how 'bout if I steal it then"... " I can't believe how the
roller load bearings make it so smooth"

The
fit and finish is excellent. Black Anodized Aluminum richly done,
both light weight and strong. Has a shiny but not annoying gloss to it.
Doesn't look like the cheaper blackening processes" and that's from a plating manufacturer who refinishes very expensive firearms.
It is the only wear-compensating bracket on the market today. It's
maintenance free and no lubrication needed. It "feels right"...slick
transition.
"Reduction machining, made from machined thick-gauge,
lightweight aluminum with a smooth black anodized finish. Top Draw.
Custom Brackets are machined not bent into shape and this keeps the
structural strength of the Aluminum, these comments came from a
machinist and mechanical engineer. Translation. It feels right, not like
a bent piece of cheap grade aluminum bar.
My
Thoughts:
His line has variety. With the Digital PRO-Line, the new bearing PRO
line and additional options and units going from economy to first class,
this line now is the most complete line in the business. New quick
releases and accessory plates for the radio slaves and other add-ons
completes the picture. I'll just call it a rout.
I'm not Mr. Nice Guy when it comes to reviews. Just read what I write
about the fast food joints. I am an equal opportunity insulter. You sell
CA-CA and I'll call it CA-CA.
In this category nothing else on the market compares. Everything
else is basically same old, same old and probably some of it has been in
the warehouses for twenty years. MORE COMING WITH PHOTOS, used on
location, complete rig shots and a lot more... this is the ultimate
bracket and the one I selected for me to use on my Nikon systems.
Features:
Professional looking design
Easy to rotate using roller bearings from horizontal to vertical
Anodized black aluminum for lightweight and strength
No lubrication needed - designed maintenance free
Adjustable flash height with tilt for eliminating red eye and shadows
Comfortable foam grip on left side
Fits in camera bags using fold in legs and retractable upright
Palm grip for comfort and support while holding the bracket and zooming
**For
all digital cameras using a flash with a Canon or Nikon Cord
**Not recommended for use with Canon
Speedlite Transmitter ST-E2, or Metz 54, 70, and 76 (Grip on bracket
will block the infrared signal). We suggest the Digital PRO for the use
with these products.
Specifications
Weight: 23 oz. (652 g)
Bracket Dimensions: 7-7/8” high, 10” wide, 2-3/8” deep (storage
position)
Metric Dimensions: 22.5cm high, 25.4cm wide, 6.0cm deep
Center of lens to bottom of flash: 3-7/8” adjustable.
(9.8cm)
Required items - Included
CMP Camera mounting plate
FCN Flash mounting plate for Canon / Nikon flash cords
QR Tripod quick release for
mounting bracket to tripod
Optional items - Sold separately
QR-C Camera quick release
C-SP Camera quick release sub-plate
CBP Camera bottom plate (bracket to tripod)
AP Accessory
plate for radio slave, second flash, etc.
MC Cold shoe for radio slave
FT-JR Shoe mount for radio slave, second flash, etc.
Battery holders
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